RunRemote Studio is a managed service from RunRemote. See the main site

From $3,000 per editor, per month Book a call

Dedicated podcast editors

A full-time podcast editor on your team in seven days

We find, vet and train exceptional podcast editors, then place one with you full time. They work your hours, in your tools, taking direction from you. From $3,000 a month, month to month.

Book a call See the pricing

No payment until your editor starts · Replacement guaranteed · Month-to-month

What you get

One full-time editor40 hours a week, working your timezone.

Trained before you meet themEditing, clips, show notes and thumbnails.

Inside your toolsYour project board, your drive, your standards.

We stay on the payrollContracts, compliance, cover and replacement.

From $3,000 per month

The problem

Does your show need its own editor?

Hard to hire

Forty proposals and six trial edits before you find anyone competent. Freelancers go quiet mid-project, usually the week you are shipping. You finally find someone good and they take a full-time offer elsewhere.

Expensive and inflexible

Production agencies want A$6,000 to A$10,000 a month on retainer. Scaling up for a launch or down for a quiet quarter is not on the table. You end up paying for their overhead rather than your output.

The backlog costs you

Episodes sit unedited, so publishing slips and momentum goes with it. Clips are the first thing dropped, and clips are what actually reach people. You do the edit yourself at 11pm, which is the most expensive option of all.

Who we help

Built for three kinds of show

The model is the same. What the editor does day to day is not.

Podcast agencies and studios

You produce for clients and your margin lives in delivery cost.

Editors work under your brand, not ours Add one per client as you win them Never speak to your clients unless you want it

Solo hosts and creators

The show is yours and the edit is what keeps slipping.

One editor who learns your format Publish weekly without doing the cut yourself Clips handled, not an afterthought

Companies with a branded show

Marketing owns the podcast and nobody owns the edit.

Sits inside your marketing team Repurposes every episode into social Reports to your marketing lead

The role

What your editor handles

They are your team member, so you set the scope. Most shows use them across all three.

Episode production

Full audio and video edit Sound levelling and noise removal Colour correction and grading Intros, outros and ad reads Multi-camera switching

Short form

Clips cut for each platform Captions and animated subtitles Vertical reframing Thumbnails and cover art Audiograms and teasers

Publishing and admin

Show notes, chapters and titles Uploading and scheduling Guest coordination and reminders Asset library kept in order Weekly reporting to you

Fluent in your stack

Premiere Pro DaVinci Resolve Descript Adobe Audition After Effects CapCut Photoshop Riverside Notion Frame.io

Working somewhere else? We match an editor who already knows it.

The bench

The kind of editor you will meet

We shortlist against your format, not against a generic job title.

Video-first editor

Multi-camera interview shows

Full episode assembly and pacing Colour grading and multi-cam switching Thumbnails and cover art

Audio specialist

Narrative and audio-only shows

Levelling, noise removal, de-essing Music beds and sound design Chapters, notes and transcripts

Clips and motion editor

Shows built for social reach

Vertical clips with animated captions Motion graphics and lower thirds Platform-native reframing

One plan

One editor, one flat monthly rate

No recruiter fee, no payroll to run, no invoice that moves with your output.

Dedicated editor

From $3,000 per month

One full-time editor, everything below included. Cancel with 30 days notice.

Full time on your team, in your timezone Vetted through eight stages before you meet them Trained in editing, clips and show notes Payroll, contracts and compliance handled Cover when they take leave Replacement guaranteed if the fit is wrong

Book a call

Need more than one

Scale by adding editors, not by stretching one. Same flat rate each, and we tell you honestly when your volume actually warrants a second.

What hiring locally costs

Recruiter fee, one hireA$12,000+ Local editor salaryA$85,000+ a year Super, leave and on-costsAdd 25% Your time hiring and onboarding40+ hours

Indicative Australian market rates, for comparison.

How it works

Your editor, hired in seven days

Step one

Scope the role

Thirty minutes on your show, your tools and the hours you need covered.

Step two

Meet the shortlist

Two or three editors, already vetted and trained. You interview, you choose.

Step three

We onboard them

Contracts, equipment, payroll and compliance, handled before day one.

Step four

They join your team

In your project board from week one, taking direction from you, not from us.

Why RunRemote

Hiring right is the whole job

1 in 1,000

Applicants who clear vetting and reach you

8 stages

Assessment every editor passes before you meet them

7 days

From agreement to your editor starting

60%

Average saving against a local hire, fully loaded

90%

First-match success rate, no second round needed

100%

Dedicated to one client, never shared

The comparison

Three ways to get an editor

Marketplace

In-house hire

RunRemote Studio

Time to start

2 to 4 weeks of sifting

2 to 3 months

7 days

Dedicated to your team

No, they rotate

Yes

Yes, full time

Vetted before you meet them

You do it

Eight stages

Payroll and compliance

Yours

Ours

Cover and replacement

Start again

You absorb it

Included

Monthly cost

Varies every month

A$7,000+ loaded

From $3,000

FAQ

Before you book

What if the editor is not right?

We replace them at no extra cost, from a bench that is already vetted and trained. You are not restarting a hiring process, which is the whole point of the model.

Can they do more than cut episodes?

Yes. Clips, thumbnails, show notes, uploading and scheduling, guest coordination. They are your team member, so you set the scope of the role.

Which software do they work in?

Premiere Pro, DaVinci Resolve, Descript, Adobe Audition and CapCut for clips. If your workflow sits somewhere else, we match an editor who already knows it.

Are they genuinely full time?

Forty hours a week, dedicated to you, working your timezone. They are not shared across clients. If your volume will not fill their week we say so rather than sell you a seat you do not need.

We are an agency with several clients.

That is who this is built for. Your editor works under your brand, joins your project tool, and never speaks to your clients unless you want them to.

Get started

Stop editing. Start publishing.

Thirty minutes, and we will tell you honestly whether a dedicated editor is the right call for your show.

Book a call

Month to month No lock-in contract, cancel with 30 days notice.

Replacement guaranteed If the fit is wrong we replace them at no cost.

Start in a week Roughly seven days from first call to first day.